20 The Glebe,Watford Herts
WD2 6LR, England
This exhibition, Making Buildings, now touring the UK, features the work of sixteen groups or individuals covering a range of architects, construction companies and craftspeople to present the way a building is crafted. It is a varied exhibition which is meant to show how an "architect's vision can only be brought to life by the skills of craftspeople". It does more than this, in that it is obvious from the range of ideas that there is a great deal of mathematics involved also. The forms presented show that there are people who are going beyond the boring cubic structures present in so many forms of modern architecture. The following review shows a selection of the ideas which most distinctly show a beauty of mathematical form.
Too often when mathematics and architecture are discussed the emphasis is on very precise mathematical relationships, using definite proportions such as the Golden Section. The ideas in this exhibition show that there are many ways to express mathematics in architecture without recourse to such rigidity and that collaboration with craftspeople who have an idea of form which is much more plastic. The materials used also add to this effect in a way which is also ignored when discussing the shape and form.
Architects and craftspeople should both feel at home in the exhibition, but it is an eye opener for anyone not fitting into either discipline. It should also alert architects to look at the possibility of looking to crafts and their practitioners for both inspiration and further collaboration.
The following few images and descriptions show the most geometric forms, concentrating more on the ones closest to being structures. Some other ideas (such as the Geodesic sphere shown last), although geometrically inspired, were not developed into buildings.
TONO MIRAI'S NEST
This structure "explores the possibility of spiritual space in architecture" and is made of straw, steel, mud and clay, sand and lime. This is a structure which would make an idea play house for children. Even without the spiral structure of the way the straw and support structures fits around the space, it is a very living form.
EDWARD CULLINAN ARCHITECTS' VISITOR CENTRE BUILDING
This is a model based on a building for a visitor centre at an open air museum. The overall image of the support structure looks like another living form. The way it is held together (shown in Figure 4) is very geometric. Although the roofing would hide this externally (Figure 5), it would still be an exciting building from the inside both because of the shape and the way the grid curves when looked at from within.
VORTEX BY USIDA FINDLAY ARCHITECTS WITH LEE DALBY
This structure (Figures 6 and 7 above) is described in the
leaflet that accompanies the exhibition as a "circular bamboo
structure". The bamboo is joined at the end to give the
lengths required. It is in fact an interesting spiral space which is not unlike the shell or other natural
forms using a spiral. Figure 7 shows its simplicity of construction,
and how the rotation required for the spiral is achieved. It
could be covered and be opened and closed in response to the
weather, but as you walk into the space it is very inviting.
GEODESIC SPHERE BY COWLEY STRUCTURAL TIMBERWORKS
This does not seem to be new, as anyone who knows the work of Leonardo da Vinci will recognise. It is not in fact a geodesic sphere, but an icosahedron (Figure 8). As such, it looks out of place in an exhibition of buildings when it is hung from the ceiling. It is made of laminated wood, and what the company says is their patented "shearlock connectors" are designed for neat, efficient joints in timber. Figure 9 shows the joint, and if you were to look closely, you would see that there are what appear to be grub screws going out into the struts. Even though I do not see it as quite fitting in as a building, it is a fine piece of craftsmanship.
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